Hildur Guðnadóttir Scores 'The Bell Jar' with Billie Eilish, Discusses Creative Process and Future Projects
Entertainment

Hildur Guðnadóttir Scores 'The Bell Jar' with Billie Eilish, Discusses Creative Process and Future Projects

authorBy Shonda Rhimes
DateOct 13, 2026
Read Time3 min

Oscar-winning composer Hildur Guðnadóttir, celebrated for her work on films like 'Joker,' is immersing herself in the musical landscape of 'The Bell Jar,' directed by Sarah Polley. This project marks a significant collaboration, as pop sensation Billie Eilish takes on her inaugural starring role. Guðnadóttir's insights extend beyond this film, touching upon her innovative scoring techniques for upcoming thrillers and her eagerness to contribute again to the '28 Years Later' cinematic universe, showcasing her diverse and evolving artistic journey.

Composer Hildur Guðnadóttir Collaborates with Billie Eilish on 'The Bell Jar,' Explores New Sonic Territories

In a recent revelation from Ghent at the World Soundtrack Awards, where she was honored as a distinguished guest, Icelandic composer Hildur Guðnadóttir confirmed her involvement in scoring Sarah Polley's film adaptation of 'The Bell Jar.' This production, which has recently concluded filming, features acclaimed singer Billie Eilish in her debut leading role. Guðnadóttir expressed her profound appreciation for working alongside Eilish, noting that Eilish's background as an Oscar-winning musician fosters a deeply resonant creative partnership. This collaboration allowed for an early and integrated approach, with Guðnadóttir crafting thematic elements that Polley could utilize directly on set, enhancing the film's auditory tapestry from its inception. The composer shared that their discussions centered on translating Sylvia Plath's profound search for identity into music, drawing inspiration from Plath's own writings and the potential musical tastes of the era. Guðnadóttir lauded 'The Bell Jar' as one of the most enthralling projects of her career, praising the novel's vibrant and energetic portrayal of life, which she hopes the film will re-emphasize beyond the tragic aspects often associated with Plath's biography.

Beyond 'The Bell Jar,' Guðnadóttir offered glimpses into her other ventures. Just hours before her trip to Belgium, she was meticulously mixing 'Enemies,' an A24 thriller produced by Ari Aster and directed by Henry Dunham, starring Jeremy Allen White and Austin Butler. This Chicago-set police drama presented a unique opportunity for Guðnadóttir to experiment with urban ambient sounds, integrating environmental textures and city soundscapes into the film's score. Furthermore, she conveyed a strong desire to revisit the '28 Years Later' franchise for its forthcoming installment. Recalling her initial experience with 'The Bone Temple,' where she worked in isolation from the original film's score, she described the anxiety of awaiting its release and hoping for a cohesive artistic outcome. For 'The Bone Temple,' Guðnadóttir ingeniously employed real animal bones—sourced from a butcher via a friend's hamburger establishment near Berlin—as percussion instruments, boiling and preparing them herself to achieve a distinct, earthy sound that complemented the film's raw yet humorous nature. This innovative method underscores her hands-on approach and her commitment to exploring unconventional sonic palettes.

Hildur Guðnadóttir's recent announcements paint a picture of an artist at the zenith of her creative powers, continuously pushing boundaries and forging meaningful collaborations. Her work on 'The Bell Jar' with Billie Eilish exemplifies the synergistic potential when seasoned composers engage with new talents, enriching the cinematic experience. The composer's dedication to understanding the core emotional and thematic elements of a story, whether it's Sylvia Plath's internal struggles or the visceral intensity of a horror film, allows her to craft scores that are not only musically innovative but also deeply resonant. Her willingness to experiment with unconventional sound sources, such as bones for percussion, highlights a fearless artistic spirit. As audiences anticipate these upcoming projects, Guðnadóttir's journey serves as an inspiring reminder that true artistry thrives on curiosity, collaboration, and an unwavering commitment to authentic expression, promising a captivating auditory future for film.

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