St. Louis Hosts U.S. Figure Skating Championships, Inspiring Newfound Appreciation for the Sport
The recent 2026 U.S. Figure Skating Championships held in St. Louis provided an immersive experience for an uninitiated observer, culminating in a profound appreciation for the sport. This event, which brought together America's premier figure skaters, showcased not only breathtaking athleticism but also a vibrant community spirit and remarkable personal narratives of resilience. The author's journey from a curious newcomer to a dedicated fan illustrates the compelling allure of figure skating, emphasizing the intricate balance of fierce competition and heartfelt support that defines this unique world.
The initial exposure to competitive figure skating left the author astonished, particularly by the unexpected encounters with prominent figures such as Olympian-turned-commentator Adam Rippon and Cordero Zuckerman, known as Denali Foxx from RuPaul's Drag Race, whose fusion of drag and figure skating intrigued many. Approaching the assignment with an open mind, much like a previous report on a national pigeon show, the author engaged with participants, asking fundamental questions about their dedication and passion for the sport. This inquiry revealed a community characterized by intense rivalry intertwined with profound affection.
During the championships, several captivating moments unfolded. The humorous exchanges among top female skaters like Alysa Liu, Amber Glenn, and Isabeau Levito hinted at a friendly yet competitive environment. Local young skaters contributed by diligently collecting hundreds of plush toys thrown onto the ice by enthusiastic fans after performances. A particularly poignant narrative was that of Maxim Naumov, who bravely competed and medaled at his first nationals after the tragic loss of his parents in a plane collision the previous year. His participation underscored the strength and solidarity within the figure skating community.
Despite a personal background in hockey, where the author admits to being clumsy on skates, the grace and skill of the figure skaters were undeniably striking. Specific performances left a lasting impression: Sonja Hilmer's short program, where the sound of her blades became part of the choreography; Starr Andrews' dynamic routine infused with Beyoncé's music; and the mesmerizing presence of Ilia Malinin, revered as the "Quad God," whose talent transcended ordinary expectations. Throughout these spectacles, the author, guided by a photographer's instinct, focused on capturing the raw emotion, vivid colors, dramatic lighting, and fleeting moments that define such a high-stakes event.
The author drew parallels between the structured artistry of figure skating and their own past involvement in marching arts, particularly playing the euphonium and cymbals. Both disciplines, despite their differences, share common elements: a confined performance space, an emphasis on precision, elaborate pageantry, and stunning costumes. Working within the strict limitations of a major sporting event fostered creativity, leading the author to explore various perspectives, from low angles near the ice to elevated views from the stands. The rhythmic dance competition, set to a 90s theme, even had the author nodding along to Madonna, further immersing them in the event's atmosphere.
This experience, initially unfamiliar, cultivated a genuine fondness and respect for figure skating. The author expressed eagerness to follow the U.S. Olympic team at the upcoming 2026 Winter Olympics in Milan. An interesting discovery was also made about New York-based skater Oona Brown, who, like the author, has a background in marching arts, playing the snare drum in an Irish marching band. This unexpected connection highlighted how diverse worlds can sometimes beautifully converge.
