Durban FilmMart Focuses Inward on African Cinema's Self-Sufficiency
The 17th Durban FilmMart (DFM), a pivotal gathering for African cinema, is embarking on a period of introspection, focusing on nurturing internal strengths and devising bespoke solutions for the continent's dynamic screen industries. This year's event, guided by director Magdalene Reddy, seeks to redefine the narrative by emphasizing self-sufficiency and collaborative innovation. It will delve into crucial discussions about building robust local systems, addressing challenges in distribution, and fostering equitable co-production partnerships to ensure that the benefits of creative endeavors remain within Africa.
Scheduled from October 9 to 12, the Durban FilmMart's 17th iteration is themed 'Shifting Worlds, Turning Toward Ourselves.' This direction, inspired by Senegalese filmmaker Ousmane Sembène's philosophy of being 'the sun' rather than merely a 'sunflower,' underscores a strategic pivot towards local empowerment. Reddy emphasized the importance for the African film community to establish its own effective frameworks, particularly in a world marked by constant change. The four-day program is meticulously designed with a blend of insightful panel discussions, hands-on masterclasses, one-on-one sessions, and mentorship opportunities, all geared towards capitalizing on the growing global attention and transformative shifts impacting African screen content creators.
A notable departure from previous editions is the integration of a film screening into the DFM. This year will feature Rwandan debut filmmaker Marie-Clémentine Dusabejambo's 'Ben'Imana,' a Cannes Caméra d'Or winner and a product of DFM's renowned pitching forum. Reddy highlighted this inclusion as a testament to the event's significant role in nurturing African talent and showcasing locally produced content within its own cultural landscape, emphasizing the impact DFM has on the continent's filmmaking ecosystem.
A cornerstone of DFM remains its influential 'Think Tank' segment. According to Reddy, the outcomes and insights generated from these discussions often serve as a guiding framework for subsequent DFM events and the broader trajectory of the industry. This year, a key closed-door session will convene leading distributors, financiers, and industry figures to collectively address the persistent challenges in African film distribution, a sector significantly affected by global industry consolidation. Additionally, another session will be dedicated to audience development, aiming to forge stronger connections between African filmmakers and their local viewership.
Equitable co-production is another central theme for this year's event, with several sessions organized in partnership with the European Audiovisual Entrepreneurs network (EAVE). These discussions will explore intricate issues such as integrating inclusivity into various stages of film financing, development, and production. The goal is to tackle systemic imbalances faced by African producers when engaging with international partners, ensuring they can participate as equal stakeholders and that financial returns flow back into the continent.
The spirit of collaboration permeates all aspects of the Durban FilmMart. The event has forged extensive partnerships with prominent industry organizations, including EAVE, Nature, Environment and Wildlife Filmmakers (NEWF), the Cape Town International Animation Festival (CTIAF), Documentary Africa, The StoryBoard Collective, and the Ladima Foundation. The latter, which champions African women in film and television, will launch an initiative dedicated to advancing gender equity at African film festivals. Reddy reiterated that collaboration has consistently been a foundational principle for DFM, asserting that collective effort is indispensable for the industry's sustained growth.
The current Durban FilmMart unfolds against a backdrop of considerable upheaval for its host nation, South Africa, where the screen industries are grappling with ongoing uncertainties, particularly concerning the country's 25% cash rebate policy. In response, key South African policymakers are expected to attend DFM, which will facilitate a closed session for local industry professionals to engage directly with representatives from the Department of Trade, Industry and Competition, the National Film and Video Foundation, and various regional film commissions. This direct engagement aims to bridge the gap between filmmakers and policymakers, creating a supportive environment and ecosystem conducive to the industry's advancement. The event's commitment extends to fostering collaboration across the entire African continent, despite inherent challenges, by continually seeking innovative ways for regional cooperation.
