Dreamworks Animation's 'Forgotten Island' Soundtrack Features All-Star Lineup
Dreamworks Animation's upcoming feature, "Forgotten Island," is set to captivate audiences not only with its visuals but also with a soundtrack boasting an array of acclaimed artists. Leading the musical charge are H.E.R., the P-Pop sensation Bini, legendary singer Lea Salonga, and Katseye's rising star Sophia Laforteza. The film, scheduled for a preview at the prestigious Annecy Animation Film Festival before its wider theatrical release, weaves a tale of two inseparable friends, Jo and Raissa, voiced by H.E.R. and Liza Soberano, respectively. Their adventure plunges them into a fantastical realm teeming with mystical beings, where their bond is tested against a backdrop of ancient magic and the challenge of finding their way back home. The musical direction for this cinematic journey is a heartfelt tribute to Filipino and Filipino-American heritage, incorporating a rich tapestry of sounds from the 1980s and '90s, alongside indigenous musical elements.
Under the guidance of Angela Leus, Senior Vice President of Film Music at Universal Pictures, the soundtrack's development was deeply rooted in a quest for authenticity. Leus, a Filipina-American, collaborated closely with directors Joel Crawford and Januel Mercado to ensure the film's music genuinely reflected its cultural inspirations. Her dedication led to an extensive exploration of Filipino musical talent, both within the Philippines and among the diaspora. This commitment is evident in the selection of artists and the thoughtful integration of traditional instruments and vocalizations, creating a soundscape that is both nostalgic and groundbreaking. The score evolves with the narrative, transforming from familiar pop and hip-hop influences to a fusion of indigenous Filipino instruments and choral arrangements once the protagonists enter the magical island of Nakali, underscoring the film's profound connection to its cultural roots.
A Fusion of Modern Talent and Cultural Heritage
The musical landscape of "Forgotten Island" represents a deliberate effort to blend contemporary musical prowess with deep cultural resonance. Angela Leus, as the film's music supervisor, championed an authentic portrayal of Filipino and Filipino-American musical traditions. Her discussions with directors Joel Crawford and Januel Mercado solidified the vision for a soundtrack that not only enhances the narrative but also serves as a vibrant platform for showcasing diverse talents. This meticulous approach involved extensive research into Filipino music creators, ensuring that both established and emerging artists from various generations were considered. The result is a soundtrack that is both globally appealing and deeply personal, reflecting the rich and varied musical expressions of the Filipino community.
This commitment to cultural authenticity shines through in several key collaborations. P-Pop group Bini contributes an original song, "A Parallel World," a track already on Leus's radar due to their impressive performances. This song, co-produced by Nathan Matthew David and Shawn Wasabi, ingeniously reinterprets the film's friendship theme. Additionally, Sophia Laforteza of Katseye offers a remixed version of INXS's iconic "Never Tear Us Apart," symbolizing the evolution of the protagonists' bond. The film's lead vocalists, H.E.R. and Liza Soberano, perform the title track "BRB," which originated from H.E.R.'s inspiration after viewing the film, and notably includes Tagalog lyrics. The involvement of Lea Salonga, who provides intricate vocalizations that enrich the film's musicality, further underscores the soundtrack's dedication to honoring Filipino artistry while pushing creative boundaries.
The Evolving Score: From Nostalgia to Mysticism
The score of "Forgotten Island," crafted by composer Nathan Matthew David, is a narrative in itself, artfully transitioning from familiar nostalgic sounds to an otherworldly, mystical atmosphere. Initially, the music draws heavily on the analog synth sounds and rhythmic styles of 1980s pop and hip-hop, establishing a relatable and warm tone that grounds the early parts of the story. This foundation provides a sense of the characters' everyday world and their initial adventure. However, as the plot unfolds and the protagonists, Jo and Raissa, cross into the magical island of Nakali through a mysterious portal, the musical composition undergoes a significant transformation, mirroring their journey into the unknown.
Upon their arrival on Nakali, the score becomes infused with elements from indigenous Filipino tribes, utilizing traditional instruments and choral arrangements to evoke the island's unique and mystical essence. David meticulously incorporates instruments such as chanters, the Las Piñas bamboo pipe organ, and a Filipino choir singing phrases in Tagalog. This intentional use of authentic sounds goes beyond mere ornamentation; it deepens the connection to Filipino culture and enhances the film's fantastical elements. For instance, the talking gong, or indigenous gandingan from the southern Philippines, is specifically used for Salonga's dreaded creature, adding a layer of cultural specificity to the score's dramatic impact. This thoughtful evolution of the musical score not only supports the story's progression but also provides an immersive cultural experience, celebrating the richness of Filipino musical heritage on a global stage.
